The music of Ghana

The music of Ghana is diverse. The sound varies from ethnic group to ethnic group and region to region. Ghanaian music incorporates several distinct types of musical instruments such as the talking drum ensembles, goje fiddle and koloko lute, court music, including the Akan atumpan, the Ga kpanlogo styles, and log xylophones used in asonko music. The most well known genres to have come from Ghana are Afro-jazz which was created by Ghanaian artist Kofi Ghanaba.[43] and its earlist form of secular music is called Highlife. Highlife originated in the late 1800 and early 1900s and spread throughout West Africa mainly Sierra Leone and Nigeria. In the 1990’s a new genre of music was created by the youth incorporating the influences of Highlife Afro-reggae, Dancehall and Hiphop. This hybrid was called Hiplife. Ghanaian artists such as R&B and Soul singer Rhian Benson and Highlife singer Kojo Antwi have had international success.

Ghanaian dance is as diverse as its music. Each ethnic group has their own traditional dances and there are different dances for different occasions. There are dances for funerals, celebrations, storytelling, praise and worship etc. Some of these dances include bamaya, adowa, kpanlongo, klama, agbadza, atsiagbekor, atsia, bɔbɔɔbɔ, and agahu.

The media of Ghana is one of the most free in Africa, and had previously undergone a series of government overthrows by military leaders and periods of severe restriction. Chapter 12 of the 1992 Constitution of Ghana guarantees freedom of the press and independence of the media, while Chapter 2 prohibits censorship.[44] Post independence, the government and media often had a tense relationship, with private outlets closed during the military coups and strict media laws that prevent criticism of government.[45] The media freedoms were restored in 1992, and after the election in 2000 of John Kufuor the tensions between the private media and government decreased. Kufuor was a supporter of press freedom and repealed a libel law, though maintained that the media had to act responsibly.[46] The Ghanaian media has been described as "one of the most unfettered" in Africa, operating with little restriction on private media. The private press often carries criticism of government policy.[47] The media were vigorous in their coverage of the 2008 Ghanaian presidential election, and the Ghanaian Journalists Association (GJA) praised John Atta Mills on his election, hoping to foster a good media-government relationship.
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